...after seeing the film...
THANK YOU FOR YOUR RESPONSES
My appreciation to you for airing the program on the Rio Puerco. The photography was beautiful and the Nasario reminiscents were invaluable, both of the past and present. Thank you from the bottom of my heart.
Every story shared was like the many water drops of the Rio Puerco flowing again through the Arroyo a day of rain. Each story like a little Rosary pearl of wisdom. It felt so nourishing for the soul.
I’ve hardly ever loved anything as much as watching you in the Rio Puerto Valley tonight on PBS. You took us back to a universal place that was all yours and somehow ours at the very same time. Truly marvelous.
What we witnessed last eve at the museo was really very, very, very, very, very outstanding. That was Academy Award work we saw!...It was so well-done in every respect. A real gem...
You and your story inspire me! What a beautiful way to tell the story with the music and scenery… it is magical!
Watching your documentary, OMG. I can't hold back the tears..........you have brought back so many memories.
I am still sitting here rethinking parts of it that were so captivating..allowing me to cry for the simple beauty of a time and place that left it’s mark on this land and it’s people. Thank you for capturing so well the bittersweet journey that Nasario takes us on that reflects and embodies so beautifully the heart touching legacy of his family of ancestors and their spiritual connection to the land and one another.
Your film...peeled away the years for me. I was at my grandmother's knee again, hearing her stories, the scents in her tiny kitchen in small town Iowa. My grandfather sitting on the porch... A time and place long gone, but alive in my soul. Thank you for this gift!
The film is exquisite. I was deeply moved by how well all of you captured a period of time and a group of people I sure wish there were more of around today.
Some of it reminded me of my own mother’s experience, and I thought of her often during the presentation.
Nos alegró muchísimo tu salida en la pantalla grande ¡Ahuuuuuyayayajá!! Fue un placer muy grande ver en vivo todos tus lugares de corazón. Tu querencia entera. Y ahora un estreno en España - fabuloso. Fue toda una inspiración. Los elementos musicales fueron realmente impresionantes también. ¡Ay, ay, ay!
The work is so beautiful. So much poetry, lyricism and pathos. It had a wonderful quietude in its tone...It is a kind of love song to New Mexico.
A lovely thoughtful conversation with Ellen Lockyer on KSFR's Wake Up Call this morning.
Read/LISTEN at KSFR link or below
Thanks to our lovely audiences in ABQ and Santa Fe, October 4 and 5 - so wonderful to share the first preview screenings with you! Next stop, NM PBS, Ch-5, on October 12 at 7pm!
As we approaching the end of editing and get closer to our broadcast date on October 12 on NM PBS, we remember...this beautiful article about the story of the film from the Santa Fe New Mexican - Tripp Stelnicki really captured the whimsy of Nasario's stories.
We still have wonderful opportunities to SUPPORT the film as a HERITAGE DONOR or SPONSOR. Stand with us to tell the stories of New Mexico's heritage. Click here for details. Email us at email@example.com or call cell 609 651 5840, Shebana Coelho
We will have 2 free preview screenings of the film before it's broadcast.
We are glad to welcome the Santa Fe Hispanic Chamber of Commerce as one of our Outreach Sponsors for our Oct 5 Santa Fe preview event.
Follow us on FACEBOOK or SIGN UP for our MAILING LIST to stay in touch as we head from the Rio Puerco to a TV screen near you. Thank you!
Remembering the Rio Puerco
By Tripp Stelnicki
The New Mexican | Posted: Wednesday, January 11, 2017 10:20 pm
Once, by the Rio Puerco, a young Nasario García went for a ride with his grandfather, who was called Lolo. Across the arroyo, García saw a bear. He called out in warning.
Lolo said, “Oh? He’s my friend. Come.”
They rode their horses across the arroyo to a thicket of berry bushes, not far from the watchful bear. Lolo picked two or three. “Try these,” he told his grandson. “They’re good, aren’t they? That’s why the bear comes here, and he comes here all the time.”
That is one of García’s recuerdos, or memories, from his early childhood days growing up near the Rio Puerco. For the first time, García, 80, of Santa Fe, a folklorist and historian, is sharing his Rio Puerco recuerdos on film.
On Thursday, García and film director Shebana Coelho will be at Collected Works Bookstore to preview clips from the documentary Nasario Remembers the Río Puerco and speak about his recuerdos.
The ranching villages near the Rio Puerco in the shadow of Cabezon Peak in Sandoval County emptied when drought dried the river and overgrazing spoiled the land in the 1950s. All that remains of the people who made their lives in the valley 50 miles west of Rio Rancho are crumbling ruins.
Some of García’s memories are commonplace: seeing his first bear or galloping through the village as a child, dodging the prairie dog mounds. Others veer into magical realism: a cousin, returning home from a date after curfew, having been clawed bloody by a bobcat but miraculously bearing no wounds. There were vibrant fiestas, marches and dances late into the night, where a boy was obligated by tradition to dance with his mother, grandmother and sisters before he could dance with anyone else.
His recuerdos share a common protagonist: the landscape. The stories belong to his village of Ojo del Padre and his stretch of the Rio Puerco Valley, its hills, its arroyos, its buttes, he says. The film “projects the past into the present, and hopefully into the future,” he says.
The idea for the film occurred to Coelho, who wanted to show the storyteller among the landscape, to hear García tell his stories where they are set.
“A storyteller can tell stories over and over again, and there’s something different in the telling,” Coelho says. “Nasario has spoken these stories, and he’s published them, but I realized there was a film because we haven’t seen Nasario on the land. That’s a different encounter. ... What happens? For someone who listens, who doesn’t know the story, what does it wake up in you?”
Nasario Remembers the Río Puerco shows García wandering through the arroyos, the ruins and the memories lingering there. The film includes a series of García’s vignettes, Coelho said, as well as tableaus re-created with artifacts recovered from the dilapidated, disappearing homes.
“The feeling of the stories is so strong when you go to the Rio Puerco,” she says, “because there’s just enough left.”
Valley residents began abandoning their homes after a fire destroyed a wood-and-stone dam crucial for supplying the acequias, García says. Subsequent droughts didn’t help. His grandfather was one of the last to leave, he says, in 1958. Since then, the largely dried-out valley has belonged to ghosts.
There’s one story García hasn’t told often: At age 9, in 1945, when his family left their ranch by the river for Martineztown, an Albuquerque neighborhood, he was glad. “I was tired of eating pinto beans, I was tired of eating corn, I was just tired of the way of life,” he says. “It was very difficult for a young boy.”
He didn’t think much of his valley until he went to Spain many years later for graduate study. On weekends, he and his wife would travel to the small villages in the Spanish countryside, where they saw the fiestas. “When I came back, I said to myself, ‘I’m going to talk to my grandparents,’ ” he said.
He wasn’t yet a trained interviewer or folklorist, but García considers that initial conversation with his elderly grandparents about the valley one of his career’s most illuminating. His curiosity was inflamed. “I wondered about all these people who used to live here,” he says. “Where are they? I started connecting dots, and I started interviewing them.
“The connection between Spain and New Mexico took me back to the valley,” he says.
Coelho found García when she heard him tell a story about his grandmother at Collected Works Bookstore. She approached him after the reading, and a partnership was born: Coelho adapted a book of García’s oral histories into a stage play, When the Stars Trembled in Río Puerco, which was performed in Albuquerque and Santa Fe in 2013 and 2014.
For the film about the Rio Puerco, Coelho and the filmmaking team are seeking donations through Indiegogo.com, a crowd-funding website, to finance the months of editing ahead. PBS has expressed interest in airing the film, Coelho says, and her dream is to premiere the documentary there during National Hispanic Heritage Month, which is celebrated Sept. 15 to Oct. 15.
A sense of Hispanic heritage is at work in García’s drive to preserve the past. He remembers asking a class of Hispanic students what each of them was doing to preserve their culture.
“A kid raised his hand, and he said, with a straight face, ‘I go to Taco Bell once a week, and I buy a burrito grande,’ ” García says. “My heart fell down to my feet.”
García’s recuerdos can help stem that cultural tide, just as they preserve the spirit of a fading valley. When García returned to the Rio Puerco to film a scene this past year, he came to the spot where he saw his first bear and Lolo told him not to fear. The berry bushes were still growing.
Contact Tripp Stelnicki at 505-428-7626 or firstname.lastname@example.org.
We had a dramatic return to the Rio Puerco last weekend for pick up shoots - epic RAIN, the biggest rainfall of the season, swept away all our previous plans and invited us to create something absolutely beautiful and organic - which we did - thankfully, creatively. The river was running when we left! We took that as a good sign of our film being showered with blessings from the valley. And we were also grateful to be able to leave safely on roads which - after heavy rain - can become like ice and slip and slide dangerously.
Instead of filming the 'girl sprit' of the river by the river bed, we filmed her in evocative ruins that were walking (in mud) distance from where we stayed. Instead of filming the dry river, we got to film the running water. Nasario remembered nights of rain as a child, putting buckets and coffee pots under drips and the symphony of water falling here and there that would lull him to sleep.
The highlight, after the thunderstorms rendered us house bound for half the day - was climbing a hill behind the house at dusk, to see the white smudge of the moon emerging and on the llano, three horses galloping.
We did - in the end, get what was right for the film, what we might never have gotten before - beautiful light, magic feeling. And we probably have to return for a day shoot.
But, in the desert, the rain always blesses..
We arrive now to our last month of editing with 25k needed to finish the beautiful timeless homage to Nasario García and New Mexico heritage that we have envisioned for years.
We have opportunities for SPONSORS - for up to a 1 min commercial spot that accompanies the broadcast and HERITAGE DONORS - just five 5k donations will get us there. We need this by end August for September finishing expenses - all this to be ready for our October 12 NM PBS broadcast. Plus two preview events, October 4 at the South Broadway Cultural Center and October 5 at the New Mexico History Museum.
This is where we need your help most, this last month of Nasario remembers the Rio Puerco.
Do you have suggestions for SPONSORS or DONORS. Are you one or the other or both?
We'd love to hear from you. Please write to us at email@example.com or call us at
cell 609 651 5840
In gratitude for your support for our wonderful journey so far
Shebana, Shelene, Cecile, Kelvin, Dirk, Arianna and the production team
Why this film, why now? So much fun to talk all things Nasario remembers the Río Puerco with Richard Eeds - and in the company of our great editor Shelene Bridge - about the October broadcast on NM PBS, and our invitation to Sponsors/Underwriters. Have a seat, have a listen....